of Pine and Silk
violin or any other instrument

  • A performer may play this score if they sense the music upon encountering the score, ensuring that every aspect of the music is present in the performance. 
  • This score should be approached synesthetically rather than logically as the score is the music rather than the notation to play the music.
  • Every association, aspect, and sense of pine and silk should be considered, including the brush of pine needles and the shadows of Chinese silk leaf tree petals.
  • The score can be performed using sound and/or silence or by using neither sound nor silence. 
  • It can be played with no notes, one note, or ten thousand notes.
  • The order of this score is naturally determined.

page 1

page 2

pine score 3
page 3

Randy Raine-Reusch - Graphic Score
page 4

page 5

Randy Raine-Reusch

Performed March 27th, 1998 at the Canadian Embassy Theatre, Tokyo Japan, by Randy Raine-Reusch on a Chinese guzheng
© Randy Raine-Reusch SOCAN